Wuthering Heights (2026) is a divisive, visually indulgent experiment that prioritizes sensation over soul.
Emerald Fennell’s adaptation confounds most viewers. Apparently, it is a strong showcase of directing. It does not capture the essential and most important elements of the original text. People should try watching it if spectacular acting and direction mean more to them than a complex narrative.
A Technical Triumph of Style
Linus Sandgren’s impressive use of lighting and the Yorkshire Moors creates a mesmerizing fever dream in The Dig. Sandgren’s use of haunting silhouettes blends Anthony B. Willis’s sweeping and cathartic score, creating ways for audiences to become fully immersed. This is something you luckily rarely see in modern day period pieces.
In each case, the technical achievements of The Dig, especially the production design, create a concise, visually stunning refuge and true feast for the eyes. There exists in the greatest of these technical accomplishments a imprisoning beauty—sophisticated sets and design of a gorgeous yet empty world and empty emotions.
Critic
The Trap of Carnal Obsession
Fennell’s choice to build the story around the protagonists’ relationship as being intense and physical is an interesting enough choice that, sadly, relieves the movie of most of its potential. As he becomes almost obsessed with the physical, the director reduces the layers of social and economic expectations and class, race, and the other social and political restrictions that make the original concept interesting, compelling, and valuable.
As some have noted, this zooms in on the characters’ sex lives to the detriment of the story, of the spiritual side of the tragedy. While some people admire the choice, the movie ends up being beautiful, disjointed scenes instead of a complete, tragic romance.
Who Should Engage and Who Should Skip
This bold version of Wuthering Heights will excite those who love bold, experimental reinterpretations with a focus on striking visuals and abstract moods over traditional adaptations. It is for those who like to watch their period dramas break the rules and go over the top.
Those looking for something to honor the themes of the source material might want to look elsewhere. For people who can’t stand style-over-substance filmmaking, this two plus hours of over the top excess will feel pointless and annoying.
